Giuseppe Arcimboldo
b.c. 1527, Milan,
d.1593, Milan Italian Giuseppe Arcimboldo Galleries
Arcimboldo was born in Milan in 1527, the son of Biagio, a painter who did work for the office of the Fabbrica in the Duomo.Arcimboldo was commissioned to do stained glass window designs beginning in 1549, including the Stories of St. Catherine of Alexandria vitrage at the Duomo. In 1556 he worked with Giuseppe Meda on frescoes for the Cathedral of Monza. In 1558, he drew the cartoon for a large tapestry of the Dormition of the Virgin Mary, which still hangs in the Como Cathedral today.
In 1562 he became court portraitist to Ferdinand I at the Habsburg court in Vienna, and later, to Maximilian II and his son Rudolf II at the court in Prague. He was also the court decorator and costume designer. King Augustus of Saxony, who visited Vienna in 1570 and 1573, saw Arcimboldo's work and commissioned a copy of his "The Four Seasons" which incorporates his own monarchic symbols.
Arcimboldo's conventional work, on traditional religious subjects, has fallen into oblivion, but his portraits of human heads made up of vegetables, fruit and tree roots, were greatly admired by his contemporaries and remain a source of fascination today. Art critics debate whether these paintings were whimsical or the product of a deranged mind.. A majority of scholars hold to the view, however, that given the Renaissance fascination with riddles, puzzles, and the bizarre (see, for example, the grotesque heads of Leonardo da Vinci, a fellow Milanese), Arcimboldo, far from being mentally imbalanced, catered to the taste of his times.
Arcimboldo died in Milan, to which he retired after leaving the Habsburg service. It was during this last phase of his career that he produced the composite portrait of Rudolph II (see above), as well as his self-portrait as the Four Seasons. His Italian contemporaries honored him with poetry and manuscripts celebrating his illustrious career. His hidden-face still-lives are a possible influence on his younger Lombard contemporary Caravaggio, whose painting of fruit in the Brera museum in Milan ranks as one of the earliest independent still-lives.
When the Swedish army invaded Prague in 1648, during the Thirty Years' War, many of Arcimboldo's paintings were taken from Rudolf II's collection.
His works can be found in Vienna's Kunsthistorisches Museum and the Habsburg Schloss Ambras in Innsbruck, the Louvre in Paris, as well as numerous museums in Sweden. In Italy, his work is in Cremona, Brescia, and the Uffizi Gallery in Florence. The Wadsworth Atheneum in Hartford, Connecticut, the Denver Art Museum in Denver, Colorado, the Menil Foundation in Houston, Texas, and the Candie Museum in Guernsey also own paintings by Archimboldo. Related Paintings of Giuseppe Arcimboldo :. | Flora | Winter | Water | Fire (mk45) | Museum art historic the summer | Related Artists: BOTH, AndriesDutch Baroque Era Painter, ca.1612-1641
Andries Both (1612/1613, Utrecht - March 23, 1642, Venice) Dutch genre painter, one of the bamboccianti, and brother of Jan Dirksz Both.
Both was the son of a glass painter, and studied under Abraham Bloemaert. According to Joachim von Sandrart, Andries and his brother Jan cooperated on the paintings, with Jan painting the landscapes and Andries the figures, though this view has been revised in the 20th century. Andries stayed in Rouen in 1633, and he traveled on to Rome, where is documented from 1635 to 1641. He first shared a studio with a fellow painter from Utrecht, Jan van Causteren. In 1638 his brother joined him, living on the Via Vittoria in the parish of San Lorenzo in Lucina and perhaps both joining the Accademia di San Luca and the group of painters led by Pieter van Laer. In 1641 the brothers traveled back to Holland, but Andries met his death in Venice on the way, drowning in a canal as he was returning from some festivities. Donatien NonotteFrance (1708 -1785 ) - Painter
RILEY, JohnEnglish Baroque Era Painter, 1646-1691
English painter. He was the son of John Riley of St Botolphs, Bishopsgate, and a pupil of Isaac Fuller and Gerard Soest. He is said to have worked independently for some years, but he made no impact before Lely's death in 1680. Riley maintained a prolific and successful practice as a portrait painter over the next decade against keen foreign competition.
|
|
|